Monday, September 6, 2010

A Look At Roger Corman's Film Shame

By Hollie Robbins

Roger Corman directed some truly commendable films in his day, and Shame may be one of his crowning achievements. The director may be most well known for his proficiency at churning out schlocky B movies with cheap monster costumes, cute girls in their underwear and Z grade scripts, but he found time now and then to really put his heart and soul into creating more personal, meaningful films in between all the more marketable drive-in flicks. Put Shame on your queue next time you sign into your movie download service.

The film is remarkably brave, focusing on racial hatred and tension in the south. This may not sound like a big deal, and civil rights movement films have since become a genre. However, you have to consider... It's easy to make a movie about tolerance in the 1990's, filming on Hollywood sets designed to look like towns in Georgia and Alabama. Corman actually took his crew to a small southern town at the start of the movement. It's not hyperbolic at all to say that he really risked his life for this movie, as he and his team received death threats.

William Shatner really owns the role of the villain in this film. It's his boyish charm that makes it work.

The concept of the charming racist villain may have been inspired by Adolf Hitler. Corman could have hired a villain actor to play the villain, but the inspired choice of casting someone who seems innocent on the outside exemplifies a primary theme of the film, that being that you need a handsome spokesman to sell ugly ideas.

The final shots of the film were literally grabbed on the run. The shots used at the start of the film were actually recorded while the police were literally, physically closing in and chasing Corman out of town, forcing him to hurry up and wrap the shoot, throw all the equipment in the trucks, and get the heck out of there.

Corman is earning a lifetime achievement award at the Oscars in 2010, but there has been sadly little coverage of his life and times in cinema. For as much as he's contributed, Corman's Oscar is long overdue.

Yes, Corman made a name for himself as a schlockmeister, but he also directed some real American classics and he launched the careers of Dennis Hopper, Jack Nicholson and Martin Scorsese, to name a few. The modern cinematic landscape wouldn't be the same without Corman's incredible contributions to the industry.

If you haven't really given Corman his day in court yet, watch Shame, and then check out X: The Man With The X-Ray Eyes. By creating low-profile B flicks on low budgets, Corman was able to get away with pretty much anything by simply flying under the radar and making every film as a low-risk investment, opening up several doors for creativity and the ability to deal with sensitive issues. - 40727

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